A
Anonymous
Guest
Now I know that this is not reasonable for most small club/bar bands because it is too much shit to lug around and there isn't much room on the stages, but that is why you use a dry cab in the center and mix the Left/Right micropitchshifted/delayed cabs LOW in the mix to just get a taste of those effects. The main sound should be the dry cab. The effected cabs are "icing on the cake". Problem is that Ed overwhelmed everything with the micropitchshifted/delayed sound on OU812 and beyond... He was using pitchshifting earlier than that, but wasn't overwhelming the overall sound like he did later. Of course, this is my opinion... I do like that sound sometimes (hell, almost anything you play sounds good with all that wash and delaydanyeo":10fdg8mx said:reverymike":10fdg8mx said:I thought Gilbert's tone on the first Mr. Big record was pretty sweet. It was raw, but still had a cool spread sound to it. But, I do understand what you're saying. It's NOT that focused, in your face, AC/DC sound.
In the early 90's i used an ADA MP1, 2 ADA 2x12 cabinets, a Mosvalve poweramp and an Alesis processor and i ran a stereo chorus. Everyone in my band back then always told me they could NEVER hear me no matter how loud i turned up. I got a Marshall halfstack, only ran a Tubescreamer and a wah pedal! All of a sudden, there i was. Best thing i ever did was trash that bullshit rack.


Steve