guitarman967":2gjv318u said:
scottph":2gjv318u said:
Herbert has the best cleans imo.
Scott, I agree that the Herbert cleans are slightly better because the Midcut adds some extra sparkle to the sound. It's certainly not a night and day difference I guess. Its the only channel of the Herb that I prefer over the VH4's.
BTW, Have you ever owned or A/B'd a VH4 with a Herbert?
G-man I gotta give ya props for hangin' in there with the VH4 thoughts. As a "sworn" Herbert player (last 3 years), my first experience with the VH4 was in February at the Hollywood GC. I was so floored by the "tightness"/compression, the cut of the VH4 (through all cabs), and it's "Marshall-esque" tone, that I ended up selling my Herbert (this week). She is off to a new home, but not because I need the $$$'s. I sold the Herbert for all of the reasons you've mentioned - softer low-mids, less focused low end, and a darkness that is difficult to dial out when you want to cut through in the mix.
With all due respect to AndyW and the KILLER tones he's achieved with the Herbert on Down from Up's tracks, IMHO I just like a brighter head. Call it old skool, but I'm a dyed-in-the-wool brown sound kinda playa.
Personally, every one of my Tom Andersons sound phenomenal through the Herbert. Fundamentally speaking, the TAG's are on the "bright" side. Tom's wood selection (only the best) and his Hi-Fi-style pickups really allow his guitars to resonate freely, which allows the given wood character to really cut. When coupled with an amp like the VH4, you really have to be careful with the presence and EQ controls. But when married up to the Herbert, with its darker voicing, the TAG's sound wonderful - like an Andy Wood signature tone!!
I will say IMHO that Herbert's Ch1 is BY FAR the BEST clean tone of ANY multi-channel head out there - BAR NONE. The other reason that I've had such a bitch of a time selling the Herber t is the flexibility and functionality (serial/parallel/footswitchable loops, tuner out, mute, midi functionality, etc.). There is not a head out there that can hang with the Herbert in this respect. AND she's 180W's!!!!!
But in the end, my use of the 5152, Marshall JVM410H, and other Marshall knock offs, lead me to a Diezel that is much "closer" to my 80's roots, but still has the German KERRANG that only a Diezel can deliver. I guess that is also why Warren DeMartini, Chris Impelliteri, Neal Schon, Bumblefoot (and other 80's metal guys) have gravitated to the VH4.