What's the most articulate amp you've ever played through?

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Megadeth7684":3usrggcp said:
anomaly":3usrggcp said:
Megadeth7684":3usrggcp said:
I liked the Revolution, but there's no way in hell it's anything close to the most articulate amp out there. :lol: :LOL:

hahahaahaa, hajhaahahahhaaaahahahahaha

I know what you're saying,the 5150 is obviously the most articulate amp available. :)

:lol: :LOL:

Definitely not even close either. From what I've played I guess my vote would go to the Diezel Einstein.

+1 really made my playing advance, not very forgiving.
 
Copperhead":2lzo63c8 said:
I'm serious. I played a 5150 for ten years and when I played the Rev, I suddenly heard all the individual notes in the chords. It was shocking. It is very clear and unforgiving, you have to play very clean because there is no mush or noise or over compression to hide behind.


5150? No offense, but you need to try some other amps then...
 
MARK1970":108yeq68 said:
Cornford and CAA OD100 line. These two amps make you play very clean. You cannot get away with playing sloppy with these two. I know alot of guys are not big fans of Suhr OD100s on this forum, but I personally love it. I spent 2 years trying everything I could get my hands on before I purchased my OD100SE+. The Cornford and CAA is what I narrowed it down to. I will be buying a Cornford in the next year or 2.
I have to agree with this and add the OD100Std. While it's slightly less articulate than the SE+, it's even more unforgiving since it's less compressed. The Std made me a better player during the time I had it. Both killer amps. :rock:
 
Copperhead":6wx8vxqr said:
I'm serious. I played a 5150 for ten years and when I played the Rev, I suddenly heard all the individual notes in the chords. It was shocking. It is very clear and unforgiving, you have to play very clean because there is no mush or noise or over compression to hide behind.

RIGHT. :lol: :LOL:
 
Copperhead":281zvilw said:
I'm serious. I played a 5150 for ten years and when I played the Rev, I suddenly heard all the individual notes in the chords. It was shocking. It is very clear and unforgiving, you have to play very clean because there is no mush or noise or over compression to hide behind.

So the only two amps you're basing your opinion on are a 5150 and a Revolution? Have you never played any other amps? The 5150 is my favorite amp ever, and like I said, the Revolution is cool...but they're not "articulate" amps.
 
My Ceriatone Plexi w/ Mercury Magnetics transformers and Sozo caps. This thing rings like a bell and is the purest tone I've ever heard.
 
Geeez - didn't know you wanted a history......

First "real" amp was when I was like 14, Peavey VT Classic combo, or something like that, Ross distortion pedal.
When that wasn't loud enough for playing with a band, I bought a Mace head and a UniVox 6 x 10, that setup lasted about 5 years.
After that, I had a couple G-K's, the little series II combo for practice and the rack amp for live, I can't remember that model, I think it was blue and red screen printed on the front panel, with a stereo cab.
The whole time, I was gassing for anything Marshall, like for 10 years I played everything I could get my hands on that said Marshall. By the time I could finally afford one, the local music store got in their first 5150, I'm friends with the owner's son, and we cranked that sucker up very very loud in the store. :lol: :LOL:
I ended up taking it home with me, and I was completely satisfied with my tone for the next ten years. Oh, the first thing I did was to throw away the Peavey whatever tubes and put in a set of Sovtek coin base 6L6's.
Then I had a college kid working for me, he had a Bogner, his two roomates had a Mesa Recto, Line 6 and the Revolution. I went over to his house one night and played them all, but the Revolution just totally blew me away. The cleans were awesome, too. After that, my 5150 just sounded muddy and hissy and noisy. I went crazy with preamp tubes, sent it back to Peavey, etc. etc. So about a year and a half ago, the roommate decided the Rev was too much for playing in the living room, so I bought it from him and have been in tone bliss ever since.
I have not played anything real high end like Diezel or Engl or Cornford, never seen one in person.
I've played everything new that comes out from Fender, Marshall, Peavey, but I haven't liked any of those over the past 12-15 years.
 
Megadeth7684":223k6g8q said:
I still think you work for Krank. :D :lol: :LOL:

:lol: :LOL: :lol: :LOL:
They're so busy over there I've thought about working part time nights doing assembly!
 
Copperhead":1krp0pck said:
Megadeth7684":1krp0pck said:
I still think you work for Krank. :D :lol: :LOL:

:lol: :LOL: :lol: :LOL:
They're so busy over there I've thought about working part time nights doing assembly!

They're so busy giving away free amps.
I would guess that NONE of the amps played by anyone known in the music world are paid for.
Marketing...
Personally, I found the Krank Revolution sterile and cold with a brittleness that made me want to turn it off.
Krap tone in my opinion.

Kw
 
VHT UL and either of my Wizards.....I don't find either of them unforgiving and hard to play though :confused:
 
What I've found with the Rev is that it's all about volume. No offense, if you play in your house by yourself, you will hate it. It doesn't come alive until about 4.5 on the Master, the Kleen channel as well. I've played a lot of shows with it, and only once did I not have to use a Hotplate, it was outdoors at a ball park in Tucson. I agree, it has no feel, brittle, cold, solid-state like in a bad Crate kinda way at less than at least 4 on the Masters. But after that, it's like magic how warm and singing it gets. You don't need a lot of gain at that point, I'm usually like around 3.5-4. What makes this head special to me is that it really cuts through the mix. I get a lot more compliments and people who have heard us before saying things like "I never really heard what you were doing on that song etc., etc." The sound guys generally seem to like it as well. To my ear, practicing by myself, it seems to be voiced a bit to heavily in the mids, but again, it works best in a live performance situation.
 
I've heard Krank Revolutions live a few times and it sounds like a Mesa Boogie Recto with a bad tube... in desperate need of a bias job too.
Lets face it, Bogner and quite a few other companies don't have to give away amps to all the teenybopper bands out there so the younger generation "sees" Krank used in all kinds of shows...
Marketing.
 
You're right. Krank sucks. I don't even own one. I don't play guitar. I just post here to vex your soul. :)
 
I'll give another + to the Einstein. You have nowhere to hide, especially with a ceramic BKP or a PRS RP pickup.

I'll be interested to try a VHT, mind you, and have only heard Cornfords a couple of times in anger.
 
In no particular order, SLO, VHT's (Ultralead and Cl), VH4 and to a lesser degree,Herbert. All KILLER!
 
Greazygeo":2yjh2ww6 said:
VHT UL and either of my Wizards.....I don't find either of them unforgiving and hard to play though :confused:

Try to play Necrophagist thru a Wizard.... not easy at all. I know you don't like that stuff but if you want a challenge....

Regarding the topic at hand my Mako Custom 100 is extremely articulate as was the larry I played.
 
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