
Dan Gleesak
Well-known member
I’m totally sold on IRs. Wish I had them back when I was gigging.
No, same thing.well well well. as a non-IR RL user, this is interesting news to me. does it change the math if im using the XLR balanced output?
I’m not technical on this stuff, why did Suhr design it this way?No, same thing.
The non-IR model has an output Z of 10kΩ (max) and with its output level at noon it's closer to 5kΩ. Best practice is for the input Z of the receiving device to be at least 10x that of the source's output Z. In this case you'd want 50-100kΩ, which is unusually high.
The Focusrite Scarlett line input is ok as it's an outlier at ~50kΩ, but the UA Apollo, Apogee, RME, MOTU etc. are in the more typical 10kΩ range. An instrument input is typically 100x higher than the line input (the 1MΩ region), hence the recommendation.
Try recording clips using both the line and instrument inputs if available. In theory the high end is most affected, but in practice the low end can suffer and distortion be introduced - the unwanted kind.
You won't necessarily have these problems, but the potential is there and worth experimenting to check.
He didn't design it in, it's just a by-product of the design.I’m not technical on this stuff, why did Suhr design it this way?
Thanks for the explainer. I'll experiment with the line/instrument input on my interface tonight!No, same thing.
The non-IR model has an output Z of 10kΩ (max) and with its output level at noon it's closer to 5kΩ. Best practice is for the input Z of the receiving device to be at least 10x that of the source's output Z. In this case you'd want 50-100kΩ, which is unusually high.
The Focusrite Scarlett line input is ok as it's an outlier at ~50kΩ, but the UA Apollo, Apogee, RME, MOTU etc. are in the more typical 10kΩ range. An instrument input is typically 100x higher than the line input (the 1MΩ region), hence the recommendation.
Try recording clips using both the line and instrument inputs if available. In theory the high end is most affected, but in practice the low end can suffer and distortion be introduced - the unwanted kind.
You won't necessarily have these problems, but the potential is there and worth experimenting to check.
So would the Fryette Power Station be a better match to a UA Apollo interface than the non ir Suhr Reactive Load?He didn't design it in, it's just a by-product of the design.
So would the Fryette Power Station be a better match to a UA Apollo interface than the non ir Suhr Reactive Load?
I mean technically yes if you're going into a line input - but just use the instrument input on your interface and the Suhr performs beautifully.So would the Fryette Power Station be a better match to a UA Apollo interface than the non ir Suhr Reactive Load?
Curious about Contenders vs the Cali and Goldstack that I already have.I made IRs years ago, and don't use them anymore. They just don't compete with a mic, for the most part. I recently got the GGD Contenders IR thing, and it is by far the best, most mic'd sounding IRs I've used.
I have had issues running my guitar direct into the front HZ input on my Apollo with it peaking the hell out of the input with just medium output pickups. In reading up on it there seems to be a lot of people who experience this and complaints about how the HZ instrument input is designed on the Apollo. I bought a Countryman direct box and run my guitar into that and then into the line level input on the back which solves that. Would that be a better way to run the Suhr Reactive Load into the Apollo?I mean technically yes if you're going into a line input - but just use the instrument input on your interface and the Suhr performs beautifully.
Hmm that is a problem, and an oversight from UA. But no incorporating a DI isn't a great solution - it's now taking a raging amp down to mic level, just to boost it back up (I assume you meant the Countryman is going into the mic input, not line?).I have had issues running my guitar direct into the front HZ input on my Apollo with it peaking the hell out of the input with just medium output pickups. In reading up on it there seems to be a lot of people who experience this and complaints about how the HZ instrument input is designed on the Apollo. I bought a Countryman direct box and run my guitar into that and then into the line level input on the back which solves that. Would that be a better way to run the Suhr Reactive Load into the Apollo?
The reason I ask is that I have spent 10 million hours using my Reactive Load and trying IR's and still am not thrilled with any of them. Thanks!
Interesting. I wonder if you're losing a little lows and highs, rather than getting a small boost at 500? Either way I'm glad it's only subtle.Just tried this very quickly and through the line in at the back of my apollo i'm getting a slight bump around 500hz - makes it slighly less 'open' vs the through the HZ it sounds a bit more balanced across the frequency range. we're talking marginal difference though..
I would try suhr > countryman > apollo if you haven't already to compareI have had issues running my guitar direct into the front HZ input on my Apollo with it peaking the hell out of the input with just medium output pickups. In reading up on it there seems to be a lot of people who experience this and complaints about how the HZ instrument input is designed on the Apollo. I bought a Countryman direct box and run my guitar into that and then into the line level input on the back which solves that. Would that be a better way to run the Suhr Reactive Load into the Apollo?
The reason I ask is that I have spent 10 million hours using my Reactive Load and trying IR's and still am not thrilled with any of them. Thanks!
yeah might well be that. didn't measure it, just how it seemedInteresting. I wonder if you're losing a little lows and highs, rather than getting a small boost at 500? Either way I'm glad it's only subtle.