i don't think anyone has suffered from substandard tonal performance under dave f.'s watch, so there is no reasons to suspect his methods. one indispensable piece of gear i have carried around with me in my gig bag from the day i took it from bob bradshaw's hand 15 years ago is a simple isolation transformer.
klark you have noteworthy things to share but dude --bull in the china shop!
ps i use soundcraft series 5 48 ch console, bss soundweb 9088ii for house dsp/matrix across 5 zones of coverage, klark teknik dn540 quad noise gate, , lexi
pcm 91, tc 2000, yamaha spx2000, dbx 160xt/
presonus acp88, EAW KF 850 EF/KF852 cluster w/ sb 850 and sb 1000 subs, every week
all wired up by
sound image and tied to two independent hospital grade transformers providing squeaky clean power to our audio and video systems
and i have seen every option of grounding mentioned here used successfully
in the end when all is said and done, this next little tidbit will help diffuse the crux of the angst here, which should be safety, and not how many picofarads of tone i'm losing:
You can use an outlet tester first, to weed out obviously bad outlets. If it shows any fault, don't use it. If it shows good, you can use a digi volt meter to further inspect.
Meter testing of a 120v outlet should show:
From the ground, 120v to the hot (narrow) blade slot.
From the ground, 0v to the neutral (wide) blade slot.
Between hot and neutral, 120v.
Voltage can be 110-125v without much trouble.
Small leakage from neutral to ground, indicates problems with the service neutral.
Excessively high or low voltages, especially if they swing widely as various loads are introduced, indicates a completely missing ("floating") neutral connection at the service. If this is discovered, do not use any electrical service in the building! Floating-neutral problems will cause voltages to swing as high as 240v on a 120v circuit.
If you read 120v from neutral to ground, and 0v from hot to ground, the hot and neutral are reversed. This is most likely a simple matter of pulling the receptacle and switching the leads correctly, but in a commercial establishment, do not do this unless you're a qualified electrician. This problem would also be picked up by the outlet tester.
The meter can also be used to check for the presence of any leakage between service phases....this is the "I get zapped when my lips touch the mic while my hands are touching my guitar strings" problem. Before anyone gets zapped, if you've plugged into two different outlets at all, and don't know for certain that they are on the same branch circuit, put the meter between the mic barrel and the guitar strings. Any voltage at all is a problem, but a volt or two won't usually be felt by skin contact. I've however read voltages as high as 40v.
If the building is metal or there is considerable metal staging, you can meter between the ground and any metal components to be fairly certain they are close to ground potential. I've heard of people being seriously injured by touching their instrument and a metal building component, specifically a low roof truss or support column that was not bonded to the service ground and had been energized by faulty equipment.
Never 'lift' or otherwise disable the ground of any power circuit. "Adapter plugs" have no business in this business. If your gear is humming, use XLR ground lift adapters, lift the ground on your DI, but never leave out the supply ground.
On a side note, never trust anyone else's work. Test everything, even if it means insulting the house electrician's pride by metering something he just did. If he's a pro, he *expects* you to do this.