How did you get to know Diezel products?

  • Thread starter Thread starter garnel81
  • Start date Start date
I was on the search for the ultimate Riff-Guitar Sound.
My second priority was, that support is available and not too far away.

That's it. :)
 
Around 2004 to appreciate about Diezel Amps...
Spring 2007: I´ve been in germanys biggest musicstore to testing/buying a new combo for "homeplaying". My friend was check out some Tops just for fun. After a few minutes he was playing a VH4 and i fell in love to that tone -I never hear before such unbelievable brutality/dynamic tone! Two month later I tested A/B/C: Herbert, VH4 and Einstein by Mr. Diezel himself at the factory. After another month, I buying a Herbert -because I can´t longer sleep without...
After further six month, I buying two 4x12 V30 FL :D
 
frantic77":3szfgqwh said:
i first saw it on Metallica's St.anger bonus dvd in 2003,but since last year didnt know what
brand it was.so i got my VH4 last year
:rock:

Hahaha, same here. :D
 
guitar player magazine mentioned vh4's quite often back in 2002 and like many others hetfield certainly made me pay even closer attention....though at the end of the day i prefer the herbert for what im playing.
 
i saw adam jones using the VH4. funny thing, its because of diezel i found this place :rock:
 
Alterbridge :rock:
Great rock rythym stuff with so so lead work.
But when i saw them live i fell in love with the rythym sound and was the 2nd time ive seen a diezel.
...I could have sworn the 1st time was in a Fabrezio Leo video :confused:
..but his site says nothing about him playing them at all.... weird
 
I've heard from somewhere that both Metallica and Adam Jones use Diezels, but I never really give it any thought. One beautiful day I went to the local music store and they got a Herbie. So I decided to give it a try and was simply blown away. I told the seller that I'll buy it and when I heard the price... I simply had to suck it up and save money for 3 monthes. I don't regret it even for a second!
 
I first came across Diezel amps when Doug (Blackmachine) and Jamie started to distribute them in the UK, I have been using Blackmachine guitars for about 6 years and Doug told me to check the Diezel amps out as he thought they were the best he had ever heard - I agreed ;) - eventually I met Peter Stapfer at london guitar show and well now Iv been a Herbert player for a few years!!!
 
Within The Void":3doo1gua said:
I first came across Diezel amps when Doug (Blackmachine) and Jamie started to distribute them in the UK, I have been using Blackmachine guitars for about 6 years and Doug told me to check the Diezel amps out as he thought they were the best he had ever heard - I agreed ;) - eventually I met Peter Stapfer at london guitar show and well now Iv been a Herbert player for a few years!!!

At the risk of sounding like a fanboy, my knowledge of the existence of Blackmachines and Diezels (and Bareknuckle pickups for that matter) is pretty much down to this guy. :)
 
My attention was first brought towards Diezel when I saw a local (Algarve, Portugal) fellow guitar player use a VH4 while playing with two of my current band mates. Then I saw Tool live and I was absolutely impressed with Adam's tone - probably the best tone I have ever heard in a live concert.

Some time later an old acquaintance of mine who as a small music store in the centre of Portugal offered himself to ship a Einstein 50 head to my place at no cost for a trial. I hesitated because I couldn't afford such an expensive amp at the time but I finally agreed.

When my Einstein got here, I plugged my Ibanez UV7BK (with a JB in the bridge position) in and the Einstein into a Line 6 2x12" cab and was overwhelmed with the tone. My smile didn't last long though... I couldn't afford this work of art. Fortunately, my mom lent me the money... and now I'm a very, very happy musician.

The Diezel Einstein completely changed by approach towards guitar playing. I don't use my Ibanez anymore. I'm using Mayones guitars. I quit using rack FX units replacing them with a few high end stomp boxes. I changed my direction towards a more pure and dynamic sound, less gain, a lot more mids, wider strings, more right end dynamics... right now I'm searching for the ultimate 2x12" cab.
 
Congratulation, nice trip :thumbsup:

I was searching for the ultimate cab too, then I found the Bogner 212 Oversized ! It sounds like a 412 but warmer, with more mids and less aggressive hi-end ! Unbelievable !! The ultimate cab ! :rock:

You should try it :thumbsup:

Check this link !
 
JesusRocks":3u1fqsd5 said:
My attention was first brought towards Diezel when I saw a local (Algarve, Portugal) fellow guitar player use a VH4 while playing with two of my current band mates. Then I saw Tool live and I was absolutely impressed with Adam's tone - probably the best tone I have ever heard in a live concert.

Some time later an old acquaintance of mine who as a small music store in the centre of Portugal offered himself to ship a Einstein 50 head to my place at no cost for a trial. I hesitated because I couldn't afford such an expensive amp at the time but I finally agreed.

When my Einstein got here, I plugged my Ibanez UV7BK (with a JB in the bridge position) in and the Einstein into a Line 6 2x12" cab and was overwhelmed with the tone. My smile didn't last long though... I couldn't afford this work of art. Fortunately, my mom lent me the money... and now I'm a very, very happy musician.

The Diezel Einstein completely changed by approach towards guitar playing. I don't use my Ibanez anymore. I'm using Mayones guitars. I quit using rack FX units replacing them with a few high end stomp boxes. I changed my direction towards a more pure and dynamic sound, less gain, a lot more mids, wider strings, more right end dynamics... right now I'm searching for the ultimate 2x12" cab.

Cool finally a person from my country in the forum ;)
I heard a lot of good things about the Bogner 2x12. Kind of expensive in Portugal but a 2x12 orange cab will do the trick.

Já agora a qual concerto de tool é k foste?
 
garnel81":z1hjai6g said:
JesusRocks":z1hjai6g said:
My attention was first brought towards Diezel when I saw a local (Algarve, Portugal) fellow guitar player use a VH4 while playing with two of my current band mates. Then I saw Tool live and I was absolutely impressed with Adam's tone - probably the best tone I have ever heard in a live concert.

Some time later an old acquaintance of mine who has a small music store in the centre of Portugal offered himself to ship a Einstein 50 head to my place at no cost for a trial. I hesitated because I couldn't afford such an expensive amp at the time but I finally agreed.

When my Einstein got here, I plugged my Ibanez UV7BK (with a JB in the bridge position) in and the Einstein into a Line 6 2x12" cab and was overwhelmed with the tone. My smile didn't last long though... I couldn't afford this work of art. Fortunately, my mom lent me the money... and now I'm a very, very happy musician.

The Diezel Einstein completely changed by approach towards guitar playing. I don't use my Ibanez anymore. I'm using Mayones guitars. I quit using rack FX units replacing them with a few high end stomp boxes. I changed my direction towards a more pure and dynamic sound, less gain, a lot more mids, wider strings, more right hand dynamics... right now I'm searching for the ultimate 2x12" cab.

Cool finally a person from my country in the forum ;)
I heard a lot of good things about the Bogner 2x12. Kind of expensive in Portugal but a 2x12 orange cab will do the trick.
Well, I'm waiting for a Mesa Engineering Rectifier Vertical Slanted equipped with V30s. I'm looking for a tighter sound than what I get with my current Marshall 1966B Lead (from the 80's) which is an excellent cab. I hope the Mesa works well with the Einstein (and with my playing).

garnel81":z1hjai6g said:
Já agora a qual concerto de tool é k foste?
Fui ao do Super Bock Super Rock e depois ao do Pavilhão Atlantico. Foi neste último que fiquei parvo com o som. Abraço

(sorry for the foreign language but this is totally irrelevant to this topic)
 
Fend":2lu2l4hu said:
Congratulation, nice trip :thumbsup:

I was searching for the ultimate cab too, then I found the Bogner 212 Oversized ! It sounds like a 412 but with more mids and less aggressive hi-end ! Unbelievable !! The ultimate cab ! :rock:

You should try it :thumbsup:

Check this link !
The problem with oversized 2x12"s is that they don't fit in the small space that my drummer leaves for my rig. Anything larger than the Marshall 1966 is too large. That probably goes to the Diezel as well. I really needed a vertical 2x12" with a great sound and that's why I went for the Mesa. I hope it's worth the money (they're extremely expensive in Portugal).

I asked Peter Stapfer about speakers... I'm waiting for his input on this issues.

:rock:
 
Ed Yoon introducing me to Peter Diezel in 2003 (NAMM time?) with his "then" newest amp - the Herbert :thumbsup:
 
stumbled onto one while shopping for a bogner, slodano or vht in atlanta, best mistake i ever made was walking in that shop not looking for a diezel. thanks Peter you rock :worship: :clap: :rawk:
 
Saw Tool here in San Francisco 12/2007 - when the guitar could cut thru the low end mud it was beautiful!- over the top tortured distortion - had never heard that brutality from an amp before - was awesome - the next day I decided to sell the Marshalls and Mesa toys and bought a VH4S w/ 2 Diezel 4 12 rear loaded cabs, Voodoo GCX / ground control / Timefactor / TC chorus etc.. - pure bliss!!
met Peter at the NAMM show in Anaheim -he couldn't have been nicer!
guitars: Ed Roman Quicksilver w/ Floyd, 72 Strat, early 70's Les Paul, Dan Ransom custom ... all sound better.
Happy to be part of the DIEZEL family!
 
rynhard":36sopqke said:
Saw Tool here in San Francisco 12/2007 - when the guitar could cut thru the low end mud it was beautiful!- over the top tortured distortion - had never heard that brutality from an amp before - was awesome - the next day I decided to sell the Marshalls and Mesa toys and bought a VH4S w/ 2 Diezel 4 12 rear loaded cabs, Voodoo GCX / ground control / Timefactor / TC chorus etc.. - pure bliss!!
met Peter at the NAMM show in Anaheim -he couldn't have been nicer!
guitars: Ed Roman Quicksilver w/ Floyd, 72 Strat, early 70's Les Paul, Dan Ransom custom ... all sound better.
Happy to be part of the DIEZEL family!
How does the Eventide sound through the Diezel? Do you use it in the FX loop?
 
By accident.............. when I briefly lived in St. Loser Misery (sorry guys, just hated it there, NYC is my home and will always be :D ) I went in for a set up and this store had one. I heard about Hetfield using one and was curious. plugged a chorus pedal thru channel one.................bought it on the spot, ran home and made auctions on the Bay for my Road King, Dual rect head, and Vetta II. Since then I tried the ENGL SE EL 34, and Triaxis/2: 90 rack.......and just always kept comparing it to the VH4S and well I guess that is just my tone. So I then sold the rack to buy the Herbert. Herbert stacks up real well to it, and IMO is a bit grittier and the cleans cut like glass. The VH4S (biased with EL34's) is just smooth as glass in the distortion dept, and the cleans are deep and dark. I am a brand whore, so when I find a brand I like...LOL my OCD kicks in and get only products from that or those companies. I just sold my 2 boogie 4x12's for another Diezel 4x12 as I really dig the front loaded one with v 30's for some reason. :thumbsup: :thumbsup:
 
Guitar Center, Las Vegas Nevada.

I was on vacation in like '04 & stopped in to check it out & they had an Einstein & a Herbert. I grabbed a Historic Les Paul that was similiar to mine plugged into the Herbert & the rest is history..........well kinda............First of all, the typical GC dude that was trying to sell me the amp used the "ego stroke" move and told me that "my playing" was the best that the amp has ever sounded! "Gee thanks dude!" was my reply. ;) He finally left me alone for a little bit to actually mess with the rig & in hindsight, I remember thinking, "Well maybe my little pentatonic riff did sound o.k. simply for the fact that before I struck a note I dialed "back" all the gain knobs which were maxed, raised the "mid" knobs and basically set everything to the "Noon" position with the exception of the "master" volume. Hmmmmm :confused: ;) (Any of you other old school farts like me will know what I'm talking about. If not, just go into any GC or similiar Walmart of music stores & look at the "usual" layout dialed in on a Rectifier :D )

Anyway, to somewhat summarize what could even be a longer story, (I was in Vegas remember ;) ) ...................................

It would be three or so more years before I became an actual owner. Mainly due to the fact that for whatever reason, the GC dude wouldn't ship it instore to the GC in my hometown :confused: & I didn't want to take it with me on the Airplane. Though I fell In love, I walked out of the store empty handed & talked myself out of it by the time I was home from vacation. My actual purchase is a long-winded story in and of itself involving a wife out of town, a bottle of whiskey & a new credit card that the Mrs. wasn't aware of.......................................

Too be continued................................. :lol: :LOL: :lol: :LOL: :lol: :LOL:
 
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