Looking awesome !! But how would one still like the mesa dual rect rev G coming off from a VHT and Wizard camp?
Rectos are almost on the opposite side of the high gain amp spectrum from the VHT / Wizard thing. While a tight amp does a lot of filtering and poweramp negative feedback shaping for you, the Recto has basically no filtering in the preamp and zero negative feedback in the poweramp. In these ways, Rectos are just about the least plug-and-play high gain amps I can think of (I love Rectos, but that's just the truth).
In most high gain preamps, a lot of lows are filtered out and the tone is generally shaped to distort in specific ways (distorting high frequencies = clear, crispy distortion. distorting low frequencies = muddy, fuzzy distortion). In the Recto’s preamp though, almost no low end is filtered away unlike in most other high gain amps, so Rectos can get unusably flubby and fuzzy with pretty much anything even approaching “high gain.” Additionally, Recto are very dynamic, uncompressed amps, though you wouldn’t think so based on their reputation. The downside to this is that it can be pretty unwieldy and unforgiving plugged straight in, but the upside is that you basically have total freedom to use any EQ or boost you can think of that fits your guitar and technique, and it’s just about guaranteed to work great with the amp. In that way, Rectos have arguably the most shapable and customizable preamps of just about any high gain amp you can get.
The Recto’s poweramp is different than most other high gain amps too, in that it doesn’t have any negative feedback in Modern Mode. This means the amp can sound incredibly open, raw, punchy, and 3D, like it’s almost jumping out of the speakers in a way I haven’t heard many other amps behave. The drawbacks of the Recto’s power section is that in Modern Mode it has a pretty loud minimum volume required for the amp to sound good (the lack of NFB means a lot of raspy treble bleed happens at super low volumes which needs to be drowned out by the real signal), and that lack of NFB also means the power section starts to break up pretty early, relative to other amps that use more negative feedback, so your usable range of volume isn’t really all that wide.
Despite how popular it is, It’s actually pretty unique as high gain amps go, but if you use the right boosts and can operate it within its optimal volume range, it can be one of the most monstrous and viscous sounding amps you’ll ever hear.