70strathead
New member
interesting...you know pat metheny recorded an album called "zero tolerance for silence" that was utterly dissapointing and sort of had the same approach similar to this. BIG surprise coming from one of the greatest on the planet. The first 18 minutes of the album are just two VERY distorted guitars playing over, under and around each other. There's one in the left channel and one in the right. By panning you can listen to one at a time if you like. This is the case throughout the album, though a third guitar (also distorted) joins for a while later on to add a bit more harmony or should i say chaos.
There are no "real" (or usual) forms used here - nothing that comes close to blues or rhythm changes, nor are there any constant tempos or even time meters - this is not music you snap your fingers to.
My understand is that one of his advisors told Geffen ( his label) to release an unpalatable serving at a time when noisy bands like Nirvana were cash-cows.
I'll pass, Stavinsky and Bartok are as far as I go for outside dissonant music...
There are no "real" (or usual) forms used here - nothing that comes close to blues or rhythm changes, nor are there any constant tempos or even time meters - this is not music you snap your fingers to.
My understand is that one of his advisors told Geffen ( his label) to release an unpalatable serving at a time when noisy bands like Nirvana were cash-cows.
I'll pass, Stavinsky and Bartok are as far as I go for outside dissonant music...