fedrek
Member
And this is at a time when you can buy a used Mark III Purple Stripe on Reverb for around 2-2500 euros and it will sound about the same or maybe even better.
I just don't understand how an amplifier that costs up to 5k euros in Europe has a transformer that looks like it was taken out of a high humidity storage facility in which he lay for 30 years. For that price it should be polished like a baby's ass and covered in gold.
And this is at a time when you can buy a used Mark III Purple Stripe on Reverb for around 2-2500 euros and it will sound about the same or maybe even better.
Better than the reissue and I know Mark III can sound just as good as IIC+, as well as Mark IV.That's impossible. Metallica didn't use a III on Master of Puppets or AJFA so it can't possibly be better!
That's impossible. Metallica didn't use a III on Master of Puppets or AJFA so it can't possibly be better!
Got it, didn't know this information.I work in the sheet steel industry. We ship new steel out everyday that's already starting to corrode. Unless it's pickled or galved, which is totally unnecessary for a transformer, it's going to start rusting immediately.
Better than the reissue and I know Mark III can sound just as good as IIC+, as well as Mark IV.
Yes, you probably saw me under the official presentation video, not very hard to spot me, I'm everywhere when it comes to Boogies. I'm a big fan.@fedrek - I get where you are coming from and all but you did hear about the Gibson thing right
I think it is ridiculous to charge that much for an amplifier, just like a new LP.
That's like. Subjective.
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It can't be new, looks like a NOS 105 transformer. The relic is not mentioned anywhere, and it has too much rust and scratches to be called new. Even the plates which this transformer was made of are dented.
it’s interesting how time alters perceptions of what your mind recalls regarding a tone being “brutal” and then hearing the actual recording
The Petrucci video above was a bit surprising. Wasn't aware a mk V could get that close.
There is just sort of a Mark sound. I've had a C+ DRG, a III, and played a V for a bit. They'll all do That Thing. They feel different (C+ is softer with more bloom; III was real stiff; the V was eh), but for just the sound: imho it was kinda hard to tell them apart if you dialed them in for the same type of high gain thing.The Petrucci video above was a bit surprising. Wasn't aware a mk V could get that close.
Allow me to review that review: he barely said anything, so F minusFirst review I’ve seen comparing to the originals- Michael Smith is the head of Omega Amplification If that affects things
First review I’ve seen comparing to the originals- Michael Smith is the head of Omega Amplification If that affects things
Allow me to review that review: he barely said anything, so F minus
It depends on what kind of Stripe he had, and this is not a fair comparison at all. It's like saying I compared a Fender Bassman to a Marshall JTM 45 and they're not even close. You look at the circuit and they're similar but in fact, these are different things.how close is his III with C+ mod to the original?
kinda says what we all know - the original components aren't available so they probably tried to get it as close as they could get?