The ROCKMAN pedal from MXR

Greazygeo said:
I can hear it plain as day in the rhythms. Years ago I had a Soloist that I used direct into my 4 track. Used the lower of the gain settings and a SD-1 in front, no chorus and got a very similar sound. Were there other things mixed in? Could be, but I can hear the Rockman in there. It has that spongy, compressed bottom end thing.
Listening to the following album, the Marshalls are what I hear. Back for the Attack I think. Always thought his tone on that was kinda shitty. The songs and playing are cool.
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On a bunch of interviews, George says they used a fostex four track redlined for added compression and sent that signal into the board for this album - I wonder if he's telling the truth about it :unsure:
 
DanTravis62 said:
On a bunch of interviews, George says they used a fostex four track redlined for added compression and sent that signal into the board for this album - I wonder if he's telling the truth about it :unsure:
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I remember reading that too. Something about having it hidden. They had the luxury of trying all kinds of stuff with budgets and time.
 
Greazygeo said:
I remember reading that too. Something about having it hidden. They had the luxury of trying all kinds of stuff with budgets and time.
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Well, yeah, back when people paid for music, you could actually spend time and money on a record

Which sounds insane today :ROFLMAO:

I used to hate Dokken when I was younger, but having so few new bands to listen has forced me to give it a second chance

And that's one of the things that jumps out about them - the production values are high, even on the early records
 
DanTravis62 said:
Well, yeah, back when people paid for music, you could actually spend time and money on a record

Which sounds insane today :ROFLMAO:

I used to hate Dokken when I was younger, but having so few new bands to listen has forced me to give it a second chance

And that's one of the things that jumps out about them - the production values are high, even on the early records
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Yep, music has changed a bit.

Tooth and Nail is probably my favorite. Saw them on their first two tours. Don played rhythm first time. Was pretty cool. Probably like $5 bucks to get in.
 
simonfrewler said:
If you actually look into it, there is a whole slew of 16-26 yr olds that are way into the late 70s - 90s era stuff.

Gear, clothes, home audio, so many things. Seriously, the 80s hair and metal stuff is HUGE with them right now. Especially in Europe.

CDs are making a massive comeback as well.

Just saying.
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i recently spoke to a young 12 yr old kid and his mom at a boutique guitar shop here, looking to replace his fender strat with a PRS, and when i asked him who his favorite player was he said Terry Kath.

I know several youngish players in their twenties that have to cover modern music from worship to chug, but love the 70s-80s shred the most. Rich at Tyler is regularly catering to requests for the Huff models or that series/parallel/mid boost wiring, Vice Shmear colors, and generally 80’s centric sounds.

the guitar rack era that went into hibernation with nirvana never totally died and has definitely made a resurgence with synergy, soldano, red seven, fractal, and the endless devices that pay homage to sde/2290/tsc/eventide/lexicon and now rockman sounds.

 
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