
DeathlyFighter
Active member
Apocrypha is definitely one of the most underrated Shrapnel acts.
Big time…tired of the super distorted and compressed tones they’re getting that just pale compared to the plexi’s and 2203/4’s they used with pedals or slight mods back in their early days. I first noticed this with Priest in the 90’s. Just went the JMP1 route and then Rocktron Pirahna’s after that and their tone became this thick, gooey sludge. Never recovered from that.I'd re-amp like 90% of newer records by older bands. Replace the high-gain amps they use on their current records with stuff they used to use back in the day (like Plexis for instance) and it'd immediately sound much better sonically.
Yeah I agree MegaDave's tone is pretty terrible, I don't really mind it on Killing is My Business but everything after is too scratchy sounding.Big time…tired of the super distorted and compressed tones they’re getting that just pale compared to the plexi’s and 2203/4’s they used with pedals or slight mods back in their early days. I first noticed this with Priest in the 90’s. Just went the JMP1 route and then Rocktron Pirahna’s after that and their tone became this thick, gooey sludge. Never recovered from that.
I would say most of Megadeth’s catalog (leaving the original drums alone…Dave). He’s a riff master but his ear is shit for tone.
Anything Jake E. Lee has done. To hear that playing with a good tone would be sweet. He already used a Marshall and a pedal (don’t know how he fucked that up) but I would choose the right Marshall and the right pedal. Actually maybe just use his sig amp as it sounds OK.
Everything Zakk has done accept for Pride and Glory which is decent. With a regular LP (no EMG’s) and no F’n chorus pedal.
There’s some random Southern rock bands from the 70’s (not Skynyrd) where I would like to re-amp with a Marshall on 6-7 vs the 2 setting it sounds like they used. Someone like Molly Hatchet or The Outlaws.
If I recall, I think that cover is Tawny Kitaen of Whitesnake cartop loreThat's typically the case with flangers and ring mods. Too bad they didn't use it as a punch-in effect for occasional coloring, but the whole track has this flangy crap going on.... Good singer tho'... (and a rather scrumptuous bosom on that album cover, methinks.)
Scream Bloody Gore is more just an awful, harsh mix. The sound of the cymbals reminds me of my band’s old practice space which was a 20 x 20 concrete box. Just the loudest, nastiest wash of high frequencies all over the place.I think a lot of the albums I have a gripe with the tone it’s everything about the entire mix lol. As originally stated lamb of god, dig their music but nearly everything production wise on majority of their stuff bugs me. I think some of the early death metal releases would be cool to hear produced better with better gear. But then part of me loves the sound the old crates and shit bring. Maybe hear breeding the spawn by suffocation, none so vile cryptopsy, scream bloody gore death, deicide self titled.
The tones are never great in and of themselves but the overall mixes were good enough it never bothered me. I love those albums so much I don’t think changing them would do anything positive for me.The entire Death catalog prior sound of perseverance with a silver jubilee or 6505
The drum mix on To Ride is a shame because they captured a good sound. They didn’t do so great with their drums after not working with Skogsberg anymore. They went too into the small kit, garage sound and it just didn’t cut it with the wall of sound guitars and bass they were doing. They tried a bit for some production on The Morning Star album but they’re still very compressed sounding. Their declining sound is a big reason I lost interest in them in the 2000’s.Entombed - To Ride... - Such a disappointment after Wolverine Blues. I'd also cut the cymbals by about 60dB, it's ridiculously loud in the mix.
Morbid Angel - Heretic
Metallica - 72 Seasons
Ozzy - Blizzard and Diary.
Yngwie - anything.
Darkthrone - Panzerfaust - jk, It fits the aesthetic perfectly, but, I'd love to hear them with a solid chunky tone just once.
No i am series, it's so agressive, hairy and overly fizzy it really bothers me when i listen to it.That's just crazy talk right there.I would however like to hear it without all the Phase 90 on the solos.
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i kind of dig the raw garage band sound of St. Anger (minus the snare).For everything St Anger and after, totally agree.
For everything before that, heck naw, man.
Yep, nothing seriously wrong with the guitar tones on Symbolic for instance.The tones are never great in and of themselves but the overall mixes were good enough it never bothered me. I love those albums so much I don’t think changing them would do anything positive for me.
No i am series....
Haha, embarrassing spelling error.I've searched every streaming service I can think of, but can't find a series called "Valve"......
Seriously though, when you say VH1, you are talking about the first Van Halen album, right?
Absolute blasphemy about Malmsteen, his tone is fantastic. It works way better for his style than the typical "shredder" tone of back in the day.Entombed - To Ride... - Such a disappointment after Wolverine Blues. I'd also cut the cymbals by about 60dB, it's ridiculously loud in the mix.
Morbid Angel - Heretic
Metallica - 72 Seasons
Ozzy - Blizzard and Diary.
Yngwie - anything.
Darkthrone - Panzerfaust - jk, It fits the aesthetic perfectly, but, I'd love to hear them with a solid chunky tone just once.
Iowa blew me away so much that I still remember where I was when I heard it. In Hawaii, while in the military, driving back from the Mall in Honolulu. I had it cranked and sounded like a horror movie.I don't disagree, but IOWA is just filthy and massive sounding. Those songs on ST would benefit from that tone imo.