King Crimson
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STEEL KAGE":f7b0e said:You lost me at actually...........
Cause you're a natural, dude!
STEEL KAGE":f7b0e said:You lost me at actually...........
Cool Scott...half tone bends rule! :supz:Digital Jams":b99af said:Using Adam's right now and you can pick out what works and what does not. Also half and full bends can be worked out once you get the hang of it.
Ok, back to the jam.
Randy Van Sykes":458e5 said:Cool Scott...half tone bends rule! :supz:
Just laid something down real quick...plugged direct into computer..I cheated and played a flat 7 once in a while.
We need Ed to show us how it's done.
http://www.mp3lizard.com/download.cfm?id=21669
I was just playing in C and C lydian kinda randomly, throwing in the odd flat 7 and chromatic.Digital Jams":53add said:I did not see this track, I was using the first one Just downloaded it.
Tonight I kept it simple and just ran about 5 different patterns of major scales, tossed in the blues pentatonic with the evil notes, and then looked at them and got some phrasing ideas. Tomorrow will be nailing the chords I hope and getting my recording stuff back on-line.
Yeah, working with the scales and figuring when and how to bend was pretty cool I need to stop landing on the 4ths though, ugly :x
YOur take was great, so are you staying within a pattern like just stripping away the first three notes of the C Ionian and starting on G?
degenaro":fed0f said:Now as for modes vs. keycenter...
You guys aren't gonna tell me me i's easier for you to switch between C ionian and C lydian than going C major to G major (but targeting the notes of a C chord)?
Point I'm trying to make is this most everyone knows and can handle a C major scale, now merely shifting to the G major when it comes to the major7#11 chord in RVS piece ought to be easier for intermediate players than going..."lydian...think #11, think #11!!!!"
I'm gonna throw some shit down later today...lets see how my work load is. Might do it at work.
Shiny_Surface":4b74d said:I'm confused about which approach is better modes or keycenter :neutral:
Randy Van Sykes":28a29 said:I was just playing in C and C lydian kinda randomly, throwing in the odd flat 7 and chromatic.
I've never heard of an 'Ionian'...sounds like something that would clean the air.
I know enough about theory to get me by for the gigs and stuff I do...so this stuff can get over my head pretty quickly, but I'd like to learn more.
Ed is the Theory Ninja...I am a humble student.
Sounds great...however I hear the C as dominant the way you're playing over it. Gotta get more coffee before listening to stuff.Randy Van Sykes":9984c said:Cool Scott...half tone bends rule! :supz:
Just laid something down real quick...plugged direct into computer..I cheated and played a flat 7 once in a while.
We need Ed to show us how it's done.
http://www.mp3lizard.com/download.cfm?id=21669
Yes..sorry, at times it is...little spice, little tension.degenaro":62b12 said:Sounds great...however I hear the C as dominant the way you're playing over it. Gotta get more coffee before listening to stuff.
Seeing that A natural minor are the same notes than C major...absolutely. Just you'd make it work against a C chord.Code001":b4343 said:I didn't see if it was talked about but for that C Major clip, could you also solo in relative A minor?
Thanks Chub...Chubtone":8ab46 said:Ionian is another name for the I scale or the Major scale. Just like Aeolian is another name for the vi scale or the Natural minor scale.
Randy Van Sykes":3a5e8 said:
I tried to upload the 2 backings I made so they'd be around for a long time for people to use...it seemed to upload, but then I got an error message when they were done and they weren't there (didn't upload)MitchSchaft":6143f said:You guys can attach mp3's and wavs if you need to.